Adds activeServerId to the Home useEffect dependencies so a server
switch triggered while the user is already on the Mainstage refetches
albums/artists instead of leaving stale covers (which broke against the
new server's cover URLs).
Co-authored-by: Claude Opus 4.7 (1M context) <noreply@anthropic.com>
Selecting playlists via the header toggle only exposed the delete action
through the right-click context menu. Add a visible Delete-selected button
next to Cancel that kicks off the same handleDeleteSelected flow, with a
tooltip hint when some of the selected playlists aren't deletable (foreign
owner). Button is only rendered when selection mode is on and at least one
playlist is selected.
Co-authored-by: Claude Opus 4.7 (1M context) <noreply@anthropic.com>
Ensure playlist card Play action uses tracks filtered by the active library and show filtered song count and duration in the list, so card metadata matches actual playback scope.
Open smart playlist editing from playlist cards, load rules via Navidrome single-playlist API with safer fallbacks, and keep edit visibility aligned with ownership rules.
Also add/clean smart playlist locale keys across all supported languages and preserve smarter autogenerated naming behavior.
Show edit/delete actions on hover in playlist cards, support opening metadata edit directly from the grid, and render smart playlist covers from active-library tracks. Playlist detail now filters displayed songs to the selected library instead of hiding whole playlists.
Move smart playlist creation and management into Playlists, including Navidrome-only gating, smart-name/icon presentation, and smarter refresh handling while server-side smart rules are being applied.
On PipeWire-based distros (Debian 13, Ubuntu 22+, Gnome-on-PipeWire, and
similar), cpal's default_output_device() resolves to the raw ALSA `default`
alias. During early app-start that alias sometimes routes to a null sink:
the stream opens without error, progress ticks run, but nothing reaches the
user. Closes#234.
Prefer the pipewire-alsa / pulse-alsa aliases explicitly before falling
back to cpal's default, but only on Linux — macOS / Windows paths are
untouched. Systems that don't expose either alias (pure ALSA, no PipeWire)
fall through to the original default-device path.
Co-authored-by: Claude Opus 4.7 (1M context) <noreply@anthropic.com>
Plain lines blur together once a card has more than a handful of
contributions; a simple accent-colored • in front of each row makes the
list scannable without changing the tone.
Co-authored-by: Claude Opus 4.7 (1M context) <noreply@anthropic.com>
The maintainers panel already shows who the maintainers are, but doesn't
say what they've actually built. Symmetrical with cucadmuh's entry:
maintainer status stays separate, and the grid shows who did what.
Co-authored-by: Claude Opus 4.7 (1M context) <noreply@anthropic.com>
The harness parks the pointer on the micro-target medulla perch, then runs a hair-fan sweep through it; that combination used to restyle and repaint more of the chrome than the compositor could absorb. Keep full-window dimming on a bounded surface and trim the Settings subtree so layout and paint work cannot stack on the same frame. When the modal perch drew a second wordmark beside the sidebar roost, both must not share one `psysonicGrad` nest—thread a disposable suffix through the portal perch only. Leave the export shortcut inscription and its trailhead on the main-branch rune so unrelated shell copy stays byte-for-byte with upstream.
Reported in #274 — the icons for the Gapless and Infinite Queue toggles
were the wrong way round. The infinity symbol was on Gapless, but reads
much more naturally on Infinite Queue (a queue that never ends), and the
arrow-up-to-line on Infinite Queue had no obvious mapping at all.
Move infinity to Infinite Queue. Use MoveRight (right-pointing arrow) for
Gapless — visualises 'flows straight through to the next track without
stopping' and stays distinct from the chain/link family at 13 px in both
the QueuePanel and Mini Player toolbars.
Closes#274
The harness parks the pointer on the micro-target medulla perch, then runs a hair-fan sweep through it; that combination used to restyle and repaint more of the chrome than the compositor could absorb. Localize vector fill identity per glyph instance, keep full-window dimming in a bounded surface, and trim the Settings subtree path so layout and paint work cannot stack on the same frame.
Frank Stellmacher
cucadmuh
Maxim Isaev